WRITING THE REAL: THE COLLAGES OF HANNELORE BARON

Baron's work has not been extensively studied nor is it known in full. Critical writings and scholarly attention have focused on the work as representative of Holocaust suffering. This thesis intervenes in that assumption by arguing that it is possible to understand Baron's processes of making collage as a significant case study in the problematic of signification and a complex of differences none of which are reducible to or deducible from each other. Drawing together a range of biographical information, primary source material and close readings of many of Baron's collages (including two hitherto unseen series) traces are revealed of both a maker, an artistic subject finding itself in its own practice, and a making, in the sense of a process that cannot be bound into the singularity of the subject who made it. A framework is established using psychoanalytic theory and second generation Holocaust theory that allows for the possibility of reading into Baron's life story both the symptoms of unresolved conflicts and a particular set of strategies that enabled her to sustain a creative subjectivity. Kristeva's formulation of art as an imaginaire du pardon permits a reading, however tentative, of Baron's art in terms of a poetics of imaginary restoration and reparation in which archaic and traumatic-affects are given the structure of symbolic representation. This is especially pertinent to Baron's fourteen year experience of cancer. Finally, a consideration of Baron's collage making as a process of inscription that is in relation to the body as a coalition of history, memory, corporeality and the psyche is not only significant to contemporary understandings of identity and subjectivity, but also makes it possible to propose an ethical dimension concerned with a feminine understanding of difference

Winston Churchill as a historical novelist

Thesis (M.A.)--Boston University, 1941. This item was digitized by the Internet Archive

STRATEGIC CHOICES IN PRODUCE MARKETING: ISSUES OF COMPATIBLE USE AND EXCLUSION COSTS

Fresh produce suppliers in Europe and the United States use a mix of price and non-price marketing strategies. This paper shows that these strategies create, using Mancur Olson's terms, two collective goods: overall consumer confidence in the market's ability to deliver credence attributes, and overall consumer satisfaction with the experience attributes of fresh produce. The characteristics of these two collective goods, i.e., their compatible use and high costs of exclusion, influence the costs, effectiveness, and nature of the marketing strategies of firms. This paper presents examples from the fresh produce industries of Europe and the U.S. to show how compatible-use and high-exclusion costs influence firm strategies. It concludes that there are unavoidable interdependencies that create a need for collective action -- a need that will increase as consumer and retailer demand for quality attributes in fresh produce increases.Demand and Price Analysis, Marketing,

Sexual Predators: Mental Illness or Abnormality? A Psychiatrist\u27s Perspective

In this Symposium Article, the author discusses Washington’s Sexually Violent Predator Act, RCW 71.09.060, from a psychiatrist’s perspective

Sexual Predators: Mental Illness or Abnormality? A Psychiatrist\u27s Perspective

In this Symposium Article, the author discusses Washington’s Sexually Violent Predator Act, RCW 71.09.060, from a psychiatrist’s perspective

Consumer Decision Model of Intelectual Property Theft in Emerging Markets

The increasing importance of digital piracy has prompted research on the behavioural and economics origins of illegal downloading activities. This research focuses on the potential impact of various economic, psychological and social factors on the consumer decision whether to buy or to steal music in emerging markets. These markets present specific difficulties for owners of intellectual property rights due to the high level of both downloading and ‘sharing’ of digital property. Results indicate impacts of price, downloaded music quality, ease of Internet use, attitudes toward music industry and ethical perception of music downloading on consumer purchase or pirate decision